Certain techniques practised in our workshop are not limited to a specific material or a single method. They are part of a more transversal approach, in which experimentation and adaptation play a central role. While metal has a clearly defined space and specific practices, this section brings together complementary materials and processes, used occasionally or in combination with other elements, depending on the specific needs of each project.
These so-called “secondary” materials often support or enrich the main work. They make it possible to explore other technical possibilities, refine certain details and add an additional aesthetic or functional dimension to the miniature creations.
Secondary materials
Among these materials are, for example:
• Beeswax, used for modelling, the creation of small volumes, the production of preparatory shapes, or as a finishing and protective element. It can also be used in certain experiments inspired by ancient techniques.
• Threads, twines and cords, made from natural or plant fibres, which are used for assembly, fastening or tensioning small parts. They can also be used for decorative or structural purposes.
• Wood, leather and clay.
• Other materials, used occasionally depending on the nature of the project, may be integrated into the creative process from time to time.
Although described as secondary, these materials play an important role in the diversity and richness of the techniques used within the workshop.
Versatile techniques
Some techniques can be applied to different materials and run across several areas of production, for example:
• Turning, shaping and modelling, used for wood, metal, clay and wax alike. These gestures, sometimes inherited from ancient or medieval practices, are adapted to the miniature scale and require great precision.
• Assembly and fastening, which include various methods common to several materials, such as tying, gluing, dowelling, stitching or interlocking. These techniques make it possible to create stable structures while respecting the spirit of traditional methods.
• Finishing methods, such as polishing, burnishing, patination, staining or waxing, adapted according to the material used and the effect desired. They play an essential role in the final appearance and in highlighting details on a small scale.
These versatile techniques form a link between the different materials worked on and the various crafts present in the workshop.